目录：

现代文学相关OO

汉语言文学OO题目怎么定

现代文学相关OO

1、《等待戈多》(En attendant Godot)，又译做《等待果陀》，是一出两幕剧，写的是发生在两个黄昏的事情。在乡间的一条路上，有着两个身份不明的'流浪汉在一颗大树下等待着一个名叫戈多的人。但是他们不知道戈多是谁，也不知道戈多会不会来。剧作无论是从内容上还是到表演形式上，都体现出了与传统戏剧截然不同的荒诞戏剧。

2、Waiting for Godot (En attendant Godot), also translated as "waiting for fruit," is a two act play, written in two dOOO. On the road in the countryside, there are two unidentified trOOps waiting for a OOn nOOed Godot under a big tree. But they do not kOOO who Godot is, nor do they kOOO if Godot will come. DrOOa, both in content and in form of perforOOnce, shows absurd drOOa which is completely different from traditional drOOa.

3、Of course, "waiting for Godot" is a kind of wait for a kind of waiting situation, but not enough. The work is so meaningful and memorable that it is so thought-provoking and unexcavated. No OOtter what the critics comment on Godot, the absurd scenes in the works are everywhere, and Beckett writes the huOOn nature of huOOn nature with the absurdity of his life. "Waiting for Godot" shows the fracture of memory, the fracture of communication and the broken fragments of thinking. The song of the age of OOOual fracture has outlined the cracks of huOOnity one by one, reflecting the anxiety and generation of the generation. Beckett, like an affectionate poet, uses him as an understatement, but is full of OOOOO and absurd writing that presents the whole huOOn character of a broken huOOn nature, as well as a torch that brings light in the dark to inject a little hope into a meaningless and helpless life.

4、"Yes, those two thieves, do you remember that story?" "remember", this is the conversation between the two trOOps, and the words that just said to the other listener immediately did not remember, or he did not remember, but refused to remember. "What did we do yesterday?" "as far as I see, we've been here yesterday." "do you recognize this place?" "but which Saturday? And isn't it Saturday? Isn't it Sunday! Or Monday? Or Friday?" one and three again and again to eOOress the uncertainty of oneself to the individual. The shoes that are worn by Stella are for a while. This is the color for a while, too sOOll for a while, and too large for a while. I OO unable to confirm my situation and refuse to confirm it. These uncertain statements show the absurdity and fragmentation of memory space caused by the rupture of this memory. The conversation between love and Vladimir is also a preface. Mutual communication also presents an impossible situation. It shows the unreachable distance between people and the sense of strangeness which can not be relieved.

汉语言文学OO题目怎么定

1、巴尔扎克的《人间喜剧》中的人物形象分析 从《高老头》看巴尔扎克的创作风格 巴尔扎克的《高老头》中的人物形象分析 评巴尔扎克《人间喜剧》中的“金钱”主题 从《高老头》看巴尔扎克对贵族的态度 1论《高老头》的典型人物及其主题意义 1朗台与高老头之“父亲形象”比较 1试论《高老头》的创作特色 1《高老头》中父爱悲剧原因浅析 1《追忆似水年华》的时间观探析 1《追忆似水年华》的主题阐释

2、2呼吸英雄的气息――品读罗曼?罗兰的《名人传》 30.扼住命运的咽喉――再读罗曼?罗兰《贝多芬传》 3论约翰?克利斯多夫的形象特征 3试析《OO山伯爵》中的复仇色彩

3、5偶然性与必然性――论哈代“威塞克斯小说”的命运主题 5 传统性与现代性――论哈代“威塞克斯小说”的悲剧意识 5 性格与环境――论哈代“威塞克斯小说”的人物形象 5从《德伯家的苔丝》看哈代小说的艺术成就 5论《傲慢与偏见》中的简 ? 奥斯汀的妇女观

4、5迈向生命之虹的厄秀拉――劳伦斯《虹》的生态女性主OO读 5爱的真谛――评劳伦斯《儿子与OO》中的爱情悲剧 5劳伦斯小说《查苔莱夫人的OO》主题探析 60.人类精神荒原的救赎――劳伦斯作品的主题探索 6劳伦斯《查特莱夫人的OO》在中国的传播与研究